Venue acoustics walk-through
We log the room shape, materials, and reflective surfaces before audio spec is locked.
Every seat hears the same clarity. Our FOH engineer owns gain structure, monitors, and failover — before the first guest sits down.
100K
Watts for festival and main stage
≤2ms
Safe IEM monitor latency
64ch
Digital mixer with redundant PSU
20yr
Years of field FOH experience
Events get judged on two things you can't control from the stage: the light on the speaker's face, and the sound reaching the furthest seat. We carry the second. Every watt, every mic, every monitor — out of one team.
Every line array is modeled to your venue. Even SPL from the front row to the back, with delay towers when the room calls for it.
IEM personal mixes, side fills, or wedges — built to the band's or speaker's request. Dedicated monitor engineer, not one person trying to cover both desks.
Mixer mirroring, dual PSU, wireless frequency scans, tagged and labeled cabling. If something dies, the switch over doesn't reach the audience.
Soundcheck pre-doors — FOH and monitors in sync
2:08Full showreel available on request · NDA available
Each phase has a deliverable you can forward to your own stakeholders. Not promises — documents.
We log the room shape, materials, and reflective surfaces before audio spec is locked.
Coverage predicted with the vendor software. You see an SPL heatmap — not a promise that 'it'll sound good.'
Soundcheck starts on time, off a 23-item checklist. Not exploration — verification.
Engineer on the console all show. Tear-down scheduled to the minute for venue hand-off.
Format, capacity, performers — send it across. You'll get a real system spec, not a brochure.