Brief, mood board, references
The designer reads brand, run-of-show, and talent block — before touching a fixture list.
From the opener's mood to the main-set explosion, our lighting designer programs every cue against your run-of-show — never pulled from a console preset.
400+
Moving heads in the fleet
GrandMA
Tour-class console on-site
Pre-vis
Show file tested before venue
Designer
Designer-led, not operator-led
Good lighting isn't noticed — it's felt. The speaker stands in a consistent hot spot. The performer gets colors that support their costume. Guests don't notice when the tone shifts, only that the event is building. That's programming — not a dimmer slid left to right.
Briefings with your brand director, mood boards, blocking with talent. Our designer owns the look — not just the output of the fixtures.
Not an operator reacting to the song. Our programmer writes the full show file, tested in pre-vis, run on timecode or accurate calls.
Every moving head burn-in and color-tested before dispatch. Spares always on call, DMX paths dual-routed. If a unit dies mid-show, the audience doesn't see it.
Cue programming through show calling
2:12Full showreel available on request · NDA available
Each phase has a deliverable you can forward to your own stakeholders. Not promises — documents.
The designer reads brand, run-of-show, and talent block — before touching a fixture list.
Show file built in a pre-visualizer. You preview cues on a laptop — never a guess.
Each fixture burned-in and color-balanced before going up. Full focus session before doors.
Operator on console, on comms with the show caller. Cues land on time — never reactive.
Send references or a mood board. You'll get a draft cue list from a designer — not a fixture list.